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Mati: The Evil Eye and the Power of a Look

From jewelry and home charms to quiet rituals of protection, the Greek belief in the evil eye, mati, remains deeply woven into culture, travel, and everyday life.

What Is the Mati (Evil Eye) and Why You See It Everywhere in Greece

  • What it is: The mati is the Greek belief that envy, admiration, or excessive attention can cause harm — physical, emotional, or spiritual — often without intention.
  • Why it matters: Many Greeks still believe the evil eye can cause headaches, fatigue, bad luck, or sudden misfortune.
  • How it is used: The mati appears as jewellery, glass charms, wall hangings, macramé decorations, and embroidered designs on fabrics.
  • Where you will see it: Above doorways, inside homes, on cars, worn as necklaces or bracelets, and printed on pillows, tablecloths, T-shirts, and tote bags.
  • Why travellers love it: The mati is one of Crete’s most popular souvenirs — meaningful, protective, lightweight, and deeply rooted in local tradition.
  • Not just Greek: Similar beliefs exist in Turkey (nazar), India (drishti), the Middle East, Portugal, and parts of Eastern Europe — proving the evil eye is a shared human instinct, not a superstition.

In Greece, mati (μάτι – pronounced máti: mah-tee)is not an abstract idea. It is not a metaphor for jealousy or an old superstition politely tolerated and quietly ignored. It is something people still feel, still name, and still protect themselves against — a quiet disturbance believed to pass from one person to another through a look that lingers a second too long.

You do not need bad intentions to cause it. In fact, the most dangerous form of mati is said to come from admiration—a compliment offered with too much intensity. A child praised openly. A house admired without restraint. Somewhere in that excess of attention, something slips, and balance is lost.

That is when the body reacts.

How the Evil Eye is Believed to Work

According to Greek tradition, the evil eye is not cast deliberately. It is not witchcraft or a spoken curse. It is an imbalance — an unintended transfer of energy that happens easily, almost casually, through the gaze.

The symptoms are familiar across generations: sudden headaches, unexplained fatigue, nausea, heaviness, constant yawning, irritability that seems to arrive from nowhere. Babies cry without reason. Adults feel off, unsettled, as if something has shifted slightly out of place.

The diagnosis comes without drama:

“You were given mati.”

It is not an accusation. It is an explanation.

A Belief Woven Into Everyday Life

Mati does not belong only to folklore books. It lives quietly in daily habits, gestures people perform almost unconsciously.

That is why blue glass charms hang from baby strollers, rearview mirrors, and handbags. Why grandmothers still spit lightly into the air — three times — after praising something beautiful. Why compliments are often softened, followed by a knock on wood or a whispered “may it last.”

These are not acts of fear. They are acts of balance.

The evil eye is believed to thrive on excess — too much pride, too much exposure, too much attention. Modesty, discretion, and restraint are its natural antidotes.

Wearing the Protection

Over time, protection against mati became visible.

Jewellery featuring the eye is worn not just for fashion, but as a quiet shield. Necklaces, bracelets, rings, anklets — the symbol rests close to the body, not as decoration, but as reassurance. Parents pin it to children’s clothing. Adults wear it daily, sometimes without even thinking about it.

In Crete especially, the eye is everywhere — not because it is trendy, but because it feels familiar. It is part of the visual language of protection.

Cretan coffee cups with different motifs, including mati.

Mati Beyond the Body

Protection does not stop at the skin.

The mati hangs above doors, on walls, near windows — places where energy is believed to enter and exit. Glass eyes, often handmade, catch the light and quietly watch back. Others are woven from macramé, stitched into fabric, sewn onto pillowcases, tablecloths, curtains, and even kitchen textiles.

You find the symbol on tote bags, T-shirts, ceramics, cushions — not as irony, not as novelty, but as a continuation of belief into modern life. It has adapted, not disappeared.

In Crete, these objects are among the most beloved souvenirs. Visitors take them home instinctively, even if they do not fully share the belief. Something about the symbol feels grounding. Protective. Familiar in a way that crosses language.

The most popular pieces remain the ones meant for homes — glass eyes to hang above doors, on walls, near entrances — small guardians that quietly mark a space as watched over.

The Unspoken Un-Eyeing Ritual

Despite all the symbols, sometimes protection is not enough.

Not everyone can remove the evil eye. In Greek tradition, the ability is passed quietly, often within families, learned through observation rather than instruction.

The ritual itself is simple: water, oil, a whispered prayer, full attention. If the oil breaks or spreads unnaturally, mati is confirmed. And then, just as quietly, the discomfort lifts.

Un-eyeing is not a spectacle. It is care. It is the recognition that people are not closed systems, but fields — affected by what moves through them.

Greece Is Not Alone

What makes mati so enduring is not its uniqueness, but its widespread sharing.

In Turkey, the nazar is omnipresent — the same blue eye, the same belief in the power of the gaze. In India, drishti is taken just as seriously. Black dots are placed on children’s foreheads, charms are worn, and rituals are performed to deflect unwanted attention. Jewellery and household symbols serve the same purpose: to absorb or redirect energy that might otherwise harm.

Across the Middle East, praise is often tempered deliberately. In Latin America, mal de ojo follows the same logic. In the Balkans, variations exist, but the structure remains unchanged.

Different cultures, same conclusion: attention is not neutral.

Tourist Etiquette: How to Treat the Mati with Respect

  • It is not just a souvenir. For many Greeks, the mati is a protective symbol, not a decorative trend. Treat it with the same respect you would give a religious charm or heirloom.
  • It makes a thoughtful gift. Giving someone a mati is traditionally seen as an act of care. It is often gifted, not self-purchased — especially for children, new homes, or life transitions.
  • Do not joke about it in front of locals. Even people who say they “do not believe” often still keep one nearby. Mockery can feel dismissive rather than humorous.
  • Wearing it is perfectly acceptable. Visitors are welcome to wear mati jewellery. Many locals find it touching, not offensive, when travellers embrace the tradition sincerely.
  • Hanging it in your home is common. Mati charms are often placed above doors, near windows, or in living spaces — a quiet gesture of protection, not superstition.
  • If someone offers to ‘remove’ the evil eye, accept politely. The ritual is personal and symbolic. You do not need to believe in it for the gesture to be meaningful.
  • Photography tip: Ask before photographing personal charms inside homes or shops. Some people prefer these objects not to be treated as props.

Why the Mati Refuses to Disappear

Modern life prefers clinical explanations — stress, dehydration, anxiety, fatigue. And yet the belief in the evil eye persists, not because people reject science, but because mati explains something science cannot name.

It explains how easily people affect one another, how admiration can overwhelm, and how exposure can exhaust. How being seen too intensely can feel invasive, even when it is meant kindly.

Mati is folklore’s language for vulnerability.

And perhaps that is why the symbol endures — on bodies, in homes, in jewellery, in glass, in thread, in fabric — crossing borders, religions, and centuries with remarkable ease.

Across cultures, the message remains quietly consistent: The gaze carries weight, and sometimes, it needs to be gently, deliberately disarmed.


Για την Κρήτη και για κάθε τόπο που ακόμη αναπνέει.
Argophilia — Independent. Unaligned. Always listening.
(For Crete, and for every place that still breathes.)

Categories: Greece
Victoria Udrea: Victoria is the Editorial Assistant at Argophilia Travel News, where she helps craft stories that celebrate the spirit of travel—with a special fondness for Crete. Before joining Argophilia, she worked as a PR consultant at Pamil Visions PR, building her expertise in media and storytelling. Whether covering innovation or island life, Victoria brings curiosity and heart to every piece she writes.
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